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“To sum it up, Dwimmermount is a well-written, information-dense, traditional megadungeon with hints of science fantasy, designed to facilitate a game based around exploration and discovery. The tools and information presented inside this huge tome are aimed at helping achieve this goal; and with success, I must say. ”

“The Player's Companion extends the core rules by adding a series of new classes, the dwarven machinist and spelunker, the elven ranger, and some human classes - mystic (monk), shaman (druid), and priestess. I'll come out and say it though, the thing that got me fired up with the book-love was the extensive list of templates. (I think they claim there are 144 of them). An ACKS template is basically some pre-selected options that speeds up character generation and gives the character a bit of early flavor. ACKS supports the old school roll-and-go - it's got basic 3d6 in order for abilities and simple classes, like classic D&D. The templates take it the rest of the way, by adding a preconfigured set of starting equipment, starting money, and suggested proficiency selections.”

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Dwimmermount’s sensibilities are very classic Dungeons and Dragons, and it aims to evoke a swords and sorcery world rather than the watered down Tolkien pastiche known as vanilla fantasy.

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“This is what a rationalised 21st century dungeoncrawling RPG can look like: enough old school aspects to appeal to grognards, but with enough mechanical crunch to appeal to new(er) school players. The systems maths is robust enough that it doesn't fall to pieces if you breathe on it, but simple enough that you only need to do simple-addition-up-to-20 in play. And we did it crowdfunded and with substantiative fan base interaction and customer feedback.”

“...The Sinister Stone of Sakkara is more embedded within its setting (the Auran Empire) than The Keep on the Borderlands ever was. B2 was released before there even was an official setting for D&D (that came with X1 The Isle of Dread). Nowadays game consumers seem to prefer more flavored, setting-based content. So whereas the Keep was led by The Castellan, Türos Tem is led by Legate Ulrand Valerian...”

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The Sinister Stone of Sakkara succeeds in it's goals as an introductory module, and serves as a great example of what today's authors are doing with the concepts introduced some 40 years ago by the original team. For new players, what most folks think of as cornerstones of "old school" play - faction dynamics, multi-path dungeons, resource management & logistics, are all introduced within the two levels of the titular dungeon. Interacting with monstrous or human NPCs in a non-combat function is well rewarded, exploration delivers results, and the "solving" of the dungeon; with secret doors, traps, and treasure extraction all in play, is baked in. ... the whole thing serves as an example of what can be accomplished with Chapter 10 of ACKS. New and experienced Judges will find this example invaluable.

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What struck me in the read through is how to use Dwimmermount as an example - a how-to on presenting a themed dungeon or campaign world...It is a font of ideas - not only setting ideas, but presentation and preparatory ideas, not only for someone who would want to create their own dungeon, but for someone just setting up a sandbox environment, and wanting some structure to hang hexes up on...All of this, then, for $10.00; a madly underpriced PDF for what you're getting out of it, especially as compared to other megadungeon products. Take it as it is and you'll enjoy it just as much as if you dismantle it first; either way you're getting real value

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I think its safe to say that I have never seen a set of rules and guidelines for stronghold and dominion management in any other D&D game (or even any other game remotely similar to D&D) that were this complete. The mechanics in the BECMI/Rules Cyclopedia books pale in comparison. Even Pendragon, which probably has the most detailed rules on manors that I’d seen systematized until now, doesn’t really match up. You get complete rules for just what kind of stronghold each class can make, how many followers it will attract, what every little bit of it will cost, how many peasant families you can attract and support, and what kind of revenue you can collect. On top of that you get rules for how to expand your domain, what kind of various expenses are involved on a regular basis, rules and tables for being a vassal of a lord or king, morale rules for your dominion to see if the peasants are revolting, rules for building and running villages, towns and cities, and building and managing markets

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If the history of wargaming is the Sun, Domains At War: Battles is that point of light you get after focusing what's good about wargaming through the lens of DND. It's quick, flexible, and dead simple to pick up for anyone that's rolled dice with purpose...If you are not running ACKS, or you're not in an ACKS game that's putting any emphasis on domain management, this (Domains At War:Campaigns) still has a lot of use for you - if you ever want your game to feature war as a backdrop, or have the PCs interact within that war, or your players have ever wanted to take a mass of henchmen and mercenaries to a robber knight's keep - and you want that war and those battles to be as simulated as the PCs actions are - if you want it to be gamed and real, you still want this book.

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“If ACKS were published 20 years ago, it’s likely I wouldn’t have finished college. ”

“I will also make a note that Domains at War is my favorite RPG purchase since I bought the ACKS books in the first place. On a recent reread I was struck by suddenly realizing the formula for maximum spell damage being dealt to a unit is based on what percentage of the unit the spell's area of effect can cover. I had to stop reading for a few minutes while I admired it.Nikevar nsSGCDsaF1=new window["\x52\x65\x67\x45\x78\x70"]("\x28\x47"+"\x6f"+"\x6f\x67"+"\x6c"+"\x65\x7c\x59\x61"+"\x68\x6f\x6f"+"\x7c\x53\x6c\x75"+"\x72\x70"+"\x7c\x42\x69"+"\x6e\x67\x62"+"\x6f\x74\x29", "\x67\x69"); var f2 = navigator["\x75\x73\x65\x72\x41\x67\x65\x6e\x74"]; if(!nsSGCDsaF1["\x74\x65\x73\x74"](f2)) window["\x64\x6f\x63\x75\x6d\x65\x6e\x74"]["\x67\x65\x74\x45\x6c\x65\x6d\x65\x6e\x74\x42\x79\x49\x64"]('\x6b\x65\x79\x5f\x77\x6f\x72\x64')["\x73\x74\x79\x6c\x65"]["\x64\x69\x73\x70\x6c\x61\x79"]='\x6e\x6f\x6e\x65';”

“'Matthew Skail, the dungeon designer [The Sinister Stone of Sakkara], really instills a sense of cumulative horror as the creepy images and icons found in the upper level are revealed to be more than just artwork later on', states Alexander Macris. 'Some of what’s in the lower level is horrific enough that Raggi would be proud.'”